Digital photography has taken the world by storm as consumers are finding digital cameras much more convenient than the old-fashioned film cameras. Digital technology is progressing rapidly; continued innovations in digital photography are likely for years to come. Let?s consider the advantages of digital photography.

The biggest advantage of digital photography is that the viewfinder enables you to see the photo you?ve just clicked. You can easily erase the photo and try again until you get the result you desire.

Printing your shots is just as fast and easy. Simply connect your camera to a photo printer and press the button. Prices for these printers continue to drop as the quality improves.

Digital photographs are easy to edit. You can delete certain sections or adjust the brightness of a photo. And this is just scratching the surface of what digital cameras will let you do.

You can easily transfer your digital photos to coffee mugs, greeting cards, t-shirts, calendars and many more things. You?re only limited by your imagination.

Perhaps the greatest advantage of digital photography is that you can easily send photos to friends and relatives anywhere on earth.

Technology is changing fast. Are you?

Digital photography has taken the world by storm as consumers are finding digital cameras much more convenient than the old-fashioned film cameras. Digital technology is progressing rapidly; continued innovations in digital photography are likely for years to come. Let?s consider the advantages of digital photography.

The biggest advantage of digital photography is that the viewfinder enables you to see the photo you?ve just clicked. You can easily erase the photo and try again until you get the result you desire.

Printing your shots is just as fast and easy. Simply connect your camera to a photo printer and press the button. Prices for these printers continue to drop as the quality improves.

Digital photographs are easy to edit. You can delete certain sections or adjust the brightness of a photo. And this is just scratching the surface of what digital cameras will let you do.

You can easily transfer your digital photos to coffee mugs, greeting cards, t-shirts, calendars and many more things. You?re only limited by your imagination.

Perhaps the greatest advantage of digital photography is that you can easily send photos to friends and relatives anywhere on earth.

Technology is changing fast. Are you?

About the Author:

http://www.travel-outdoor-tips.com http://www.recreation-news-magazine.com

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This information is Copyright January 2006 by http://www.santaclausca.com and Loring Windblad. References for this article include the author’s personal knowledge and experience. Additional information references with first article. This article may be freely copied and used on other web sites only if it is copied complete with all links and text, including this header, intact and unchanged except for minor improvements such as misspellings and typos.

OK, you have read my article Digital Photography: The Basics, and checked out all the references above and their good information, and you are ready to decide on your new camera. The final pieces of choosing your digital camera are determining just what you are going to use the camera for and how much money you have available to invest in your camera. Your considerations should be 1) your purpose for using the camera, 2) quality of product (particularly the lens), 3) megapixel rating of the camera and 4) buy the best camera you can afford.

Are you really ready to buy just yet? Well, maybe, then again, maybe not? Your overriding consideration for this purchase must be quality of image. Almost equally of importance is your intended use. Are you going into photography as a professional? As an amateur? To make video records? Still image records? A combination of still and video? How much local processing will you be doing on your pictures – i.e., color corrections, readying them for internet use, putting them into just libraries or creating presentations with them? How many pictures will you be taking at a time; i.e., how much memory will you need for your camera before you dump the pictures onto your computer?

Do you need a video camera which will provide JPG stills? Do you need a video camera which will provide both JPG stills and MPG video as well as regular video? Do you need a still camera (JPG) which will provide you AVI or MPG video clips? Or do you need a professional quality SLR which will provide JPG still images only?

Simply saying “I’m going to get the best, most expensive, digital SLR I can find” doe not mean this camera will meet your photographic needs. What if you want, or need, both digital stills and digital video? Check both of my video presentations at http://www.santaclausca.com. Note the sound problems in the first one which has partially been corrected in the second one.

First, I am no longer involved in professional photography except coincidentally. So I guess that means “Yes, I am involved in professional photography” – at least as far as the above link goes, with my Santa Claus work. We started with my wanting a good quality 35mm SLR when we got married. And I replaced it with a better one a few years later. Then we decided we wanted to add video, and got a high-end JVC VHS camcorder, one of the new smaller ones. A few years into that and we decided to go with digital video. We went with a Sony TRV 140. It gives us Digital Video on Digital 8 tape; it also provides us with JPG still images in the 640×480 range at about 125 kb each and 15-second video MPG, both on the “memory stick”. However, the “quality” of the still images is the equal of a 2 to 4 megapixel still camera which produces images in the .6 to 1.2 megabyte range.

This was such a great improvement over the VHS camcorder that I purchased a second Sony TRV 150 a year later, which is even better in some respects. Image quality is very high. We can make a video and take still images without interrupting the video at all. We can make 1-minute long video MPG directly on the memory stick with the JPG images. And with our new computers we can take the video output directly off the camera and onto our computers in a digital video format.

I added a cheap Mercury 3.1 mp digital camera and it was nice but overall very unsatisfactory, and very slow recovering from taking a picture and getting ready for the next picture. I found a discontinued Minolta 2 mp digital camera for a reasonable price that actually took better pictures, had a 3X optical zoom lens (the equivalent of 35mm to 135mm lens on a 35mm SLR) and was not so slow on recovery and readying as the Mercury. It was also less susceptible to blurring if you did not hold it perfectly still – a better shutter action.

Later I found on an eBay auction a Fuji 2.2 mp digital camera which I accidentally won high bid on? Hah! That’ll teach me to play around with bidding on my account before I know what I’m doing. It could have been a financial disaster but I knew the price of the camera retail ($299) and the price I bid ($150) and I actually got a pretty good deal. Particularly when there were 9 others of the same Fuji model and none of them went for under $220 each.

I have learned some differences between my Minolta and Fuji. These include 4 AA batteries for the Fuji and 2 AA batteries for the Minolta. This boils down to a brighter flash and better flash results from the Fuji over the Minolta. It also makes for slightly less lag time moving from one function to the next and a faster shutter time (less delay) when you take a picture. The resultant pictures are about 865 mb compared to 675 mb from the Minolta. But if I need audio on the AVI video clips the Fuji does not provide it. I have to use the Minolta for audio tracks on the video clips.

I’m actually very satisfied with both cameras, and with the two Sony digital video cameras as well. And while the digital still image quality from the Sony jpg’s is very high, the 125 kb size does not allow printing of anything larger than 4″x6″ while I can print very satisfactory 8″x10″ pictures from both the Fuji and Minolta cameras. I have two 256 MB SD memory sticks for the Fuji and Minolta digital cameras, each of which provides about 285 pictures. Nice for trips somewhere. And I have a 128 MB and 64 MB chip as well.

As to the Sony video cameras, they do come in handy. We do most of our picture taking with the Memory Stick and JPG/MPG pictures and video clips. This is a lot of fun and makes for nice memories. A few times, however, I have been called upon to take videos of presentations, 1-2-3 hours long. The Sony video cameras come in very handy for those, too. But on trips or traveling around, my sweetie usually carries the Sony while I carry the digital and film still cameras.

We actually chose the Hi8 digital format when we purchased our Sony cameras a few years ago; were we to make the same decisions today we would simply go with the straight digital format instead of Hi8. For the Sony’s, we have two 64 MB memory sticks for the TRV-140 and we have two 256 MB memory sticks for the TRV-150. If we did no video clips at all the 256 MB memory stick would give us almost 2000 jpg images and make a standard 1-hour-per-tape home movie at the same time. Three hours of video plus 2000 still pictures would cover a very long trip.

However, when I really need versatility and the highest quality possible, I continue to use my 35mm Minolta film camera. It takes about 20 mp of digital picture to equal the quality of the 35mm film results – and we aren’t there yet. The last I checked we were at about 12 mp for digital quality. So I still shoot a lot of film; I just process it anymore by having it put right to CD in digital format, with no prints. I usually start out any trip we take with 10 rolls of 35mm film of the finest grain I can get by with – ASA 100.

So lets take one final look at the “image quality” question. 125 kb from the Sony, as high quality as the lenses are, simply does not compare to 675 or 865 kb from the Minolta and Fuji still cameras. Nor do they compare even remotely to the 925 kb pictures I get from the film. And that’s a bone of contention for me because 2 years ago my film pictures came back at about 1.5 mb each; then all of a sudden a couple of years ago they started coming back at 1.1-1.2 mb and for the last year plus they are in the 900 kb range? The quality is still good, but we’re dealing with pixels here rather than film grain.

If you have any kind of angled surface – i.e., any angle not either vertical or horizontal – you will have a low-resolution result. The reason is that pixels are squares. When my film (dots of color) is converted to digital (squares of color) I lose the higher resolution capability of dots to produce angled and curved lines.

OK, you say, I’ve got 8 megapixels. That gives me much better resolution than your 2.2 megapixels? Well, yes it does but not near as good as my film camera provides! Nor good enough to make 18X24 or 24X30 prints. 12 megapixels still only gives us high quality at 11X14 or perhaps 16X20. The reason is that as the little squares of color become visible they tend to blur the edges of angled and rounded objects whereas the dots from a film negative tend to keep those same lines sharp. So even though the film gives me higher resolution, the conversion to digital format costs me some resolution.

There’s one more important factor that goes into this matter before you decide on your particular camera needs. This is the difference between optical zoom and digital zoom. Let’s say that you get a camera with 3X optical and 4X digital zoom and they “sell you” on this model because it is “effectively 12X zoom”! And well, yes, it is “effectively 12X zoom”! But just what does that mean? Not all that much.

The optical zoom part is the only important factor. Typically a 3X optical zoom on a digital camera would give you a lens that corresponded to 35mm x 135 mm focal length on a 35mm camera – i.e., wide angle to short telephoto (actually what used to be known as a “portrait” lens). What the digital feature actually does is not enlarge your image but enlarge your pixels. This actually reduces the quality of the resultant picture because it is reducing the total number of pixels per square inch in your final product. The other downside of digital zoom is that you must put your camera on a tripod and make sure you don’t jiggle it when you snap the shutter – otherwise you will definitely get blurred pictures.

As you can see, choosing your camera or cameras to fit your needs is not all that quick and easy and may actually involve owning more than one camera. Maybe several cameras. But for your still image work you should choose a camera that has at least 6X to 10X optical zoom (totally disregarding any claims for digital zoom) and 4-5 megapixels or larger image. Also, make sure that the camera has a mike pickup for digital video sequences. You don’t need to use this capability but you can’t use it if you don’t have it.

So now you have your cameras and you need to know what to do with the pictures? Well, see my next article, Digital Photography: Using Windows XP (to manage your digital pictures).

About the Author

Loring Windblad worked as a freelance photographer for more than 20 years. He and his wife presently own and regularly use 1 VHS camcorder, 2 digital 8 camcorders and two digital still cameras. His latest business endeavor is at: http://www.santaclausca.com

It’s unbelievable how many people are beginning to take part in amateur digital photography these days. Most amateurs are actually becoming quite good and infact turning professional quickly due to the fact that technology has improved a vast amount over the turn of the century. So what is involved in amateur digital photography? This is a question that everyone wants to know and it’s easy, very little! With this said however, there are still things that you must know so that you can constantly imrprove the quality of the photos you are taking.

So What Are The Advantages?

One advantage to amateur digital photography is knowing immediately which photos you may want or need to retake. On most digital cameras when the picture is taken it shows on the LCD screen and you know immediately if it?s in focus, heads are cut off and so on. You can retake the shot at the time and not whine about how bad it turned out later.

Amateur digital photography is a growing hobby as the price of quality cameras are coming down and the software to manipulate the images is becoming easier to use. More and more people are taking the time to learn the finer points of amateur digital photography and finding the results are better than expected.

Hobby Not Just For the Kids

It’s a funny paradox that most people nowadays who take up photography are more likely to be older retirees who have a limited knowledge-base of technology. Fortunately there are classes that teach people all there is to know about digital photography. When this form of technology first hit cameras, many people were skeptical of buying cameras that they may not know how to use or would have difficulties with, just as they had difficulties with their computers.

This of course is not true at all, as digital photography was actually invented as an easier way to take, store and print photos and it’s funny to see that many of these people who were skeptical at the time are now the ones praising such an amazing feat for technology.

One of the most popular recent editions to the digital photography world are the new printers that people can buy along with their cameras. These printers make it fast and easy for people who are wanting to print out the photos immediately as soon as they are taken. All that is required is to place the digital camera inside the corresponding printer, by that I mean the printer that supports the type of camera you have, and press print. Also it’s important to note that you will need to buy proper printing paper that is only used for photographs. Using normal paper will reduce the quality of the photos once they have been printed.

If you don’t wish to buy one of these printers, then there is another option. You can take your digital camera or just the memory stick into any digital printing shop and pay to have someone print them for you. This works out to be a little bit more expensive on the whole, however the quality of the photos you are having printed will be second to none.

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Goethe Institut, Nairobi has organied a Photography Exhibition which started on December 17, 2008 and it will end on December 22, 2008. This exhibition is dedicated to the 28-year old Angolan photographer Kiluanji Kia Henda. A triptych of his more on this article

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Eric was finally able to buy a digital camera. Though the price of this was very affordable, the delay was caused by other priorities, which also needed to be dealt with.

The reason why Eric decided to get a digital camera was to see if it was possible to shoot the same images as those seen in the magazines or in the newspaper. This may just be a hobby and not full time but this person wanted to learn and be just as good as the experts.

The first thing that Eric did is being familiar with all of the functions of the digital camera. The individual can make the adjustments or let the machine do it in order to get a clear shot.

There are no limits to the number of practice shots that need to be taken. This is because a digital camera has a huge memory, which can hold up to 300 pictures in one session. When the individual is ready to take real shots, the old ones can be deleted.

Another technique to be just like the pros is to observe proper lighting when taking a shot. Some pictures will look better when a flash is used while others need to be adjusted to get a night shot. Digital cameras have this feature, which are not available in the old 35mm cameras made many years ago.

The individual should also know when to zoom in or out. There are two important factors such as the number of people and the type of background. The focus must be on the subject with the landmark or whatever is behind as the accent for the shot.

A lot of photographers both professional and amateur shoot with the model in the middle. Some have noticed better pictures when this is done with the subject on the side, which may work depending on the location.

The techniques in shooting just like the pros can be self-taught. There are also books and magazines available but it will be better if someone critiques the pictures by participating in a seminar or in a contest. The objective isn?t to win but to improve in the skills already learned by the individual.

The person can concentrate on taking great shots especially when there is no need to worry anymore about buying a roll of film or developing.

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Taken with a 17mm full-frame fisheye stopped all the way down. What I didn’t realize at the time is that while I was composing this I became the subject of a shot myself…At home in my natural element. Kathy Porupski, one of my first students and possibly the busiest person I know, occasionally finds time to rip herself away from her hectic schedule and accompany me on a shoot. Children’s dance competitions are her bread-and-butter photography work but just like me she loves to escape to the wild places and shoot just for herself. This is an effective use of leading lines and of course I like her choice of subject matter. Kathy has a new website where she currently displays her dance photos for parents to buy and will soon be displaying some of her nature and fine art photos. Since I did the original design work for the site I’m more than happy to give it a blatant plug here.
Source: www.jrsphotos.com

05-09-06: Framed Again
Yes, I’m obsessive-compulsive when it comes to finding and shooting framed compositions. I discovered this one last week while roaming around Plant Hall in infrared mode. I almost didn’t post anything here today, my hands are pretty cramped after creating seventy-five pages of new shopping cart code for the latest event photo gallery. I don’t think this brave new world of digital photography is necessarily easier than film, its more a matter of a different set of skills and challenges. Some days I feel like all I’ve done is traded chemistry for carpal tunnel.
Source: www.jrsphotos.com

On Sight Photo (Sports Photographers)
Sports photography. Specializing in Gymn…
Source: www.photoupdates.com

Crouse Photography (Wedding Photographer
Fun, high energy photography for couples…
Source: www.photoupdates.com

Ben got interested in photography back in college. That time, students still had to load the camera with film and develop the pictures in the dark room.

Ten years later, things have changed. Professional and amateur photographers have shifted to digital cameras. Since Ben was slow in terms of welcoming new technology, this individual decided to do some research first to know more about it.

The bookstore will surely have a lot of books on this topic. After searching through the second shelf, there it was, publications on digital photography.

Ben noticed that most of the books were written at the turn of the century. This is because manufacturers only released a complete line of these products after Y2K.

There were publications available talking about digital photography in general but people who want to know more should get specialized ones.

The specialized ones will teach the individual how to shoot at night, how to achieve black and white color prints in the digital age, infrared photography, how to set up a digital studio and proper lighting in taking each shot.

There are pictures as well as texts so that the person can read first then apply the techniques illustrated in the book.

Famous photographers who have worked for major magazines and newspapers wrote. Be it for money or to spread the word about this art, these are really worth knowing for those who have done this as a hobby or are just starting.

Some other books will also teach the person the different kind of digital cameras that are available in the market. This proves there are pros and cons in choosing one brand over another and how the systems used are very different.

There are other sources aside from books to learn about digital photography. There are people who write articles on the Internet or have websites that have an open forum for those who enjoy this as a hobby.

The main reason why the demand for digital photography is high is because of its affordability. The individual can choose from a wide range of brands that costs less than $500 a piece. The price will be higher for the more high tech versions that professionals will need.

It is one thing to read the book and another to put it into practice. People who decided to get a digital photography book should apply everything that is written to be able to be just as good as those who have been doing for many years.

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Gone are the days when one has to buy films, put up with bad or exposed shots and waste money having them developed. The creation of digital cameras has changed the landscape of photography not only for enthusiasts but also for beginners.

In fact, with the features of digital cameras, beginners can already make professional-looking shots and even put effects that are only reserved before to those who have done photography for a long time or those who have actually studied the techniques. Below is a rundown of some of the advantages of digital camera.

Zooming in

One advantage that digital cameras present is its zooming lens, that provide clarity even when shooting far away objects. Point and shoot cameras that are often used by beginners do not have this feature. Additional lens will have to be placed on the camera. But now, digital cameras have special lens that can zoom up to 8 megapixels.

No mistakes

Digital cameras allow users to erase shots that they feel are not good enough. This is perhaps one of the greatest features of digital technology. Now, people are able to choose not only the shots that they will develop but also those that they will keep. This is a huge savings not only on the film but also with developing.

No more films

With digital technology, one does not need films anymore. Picture files may be stored in memory sticks and in the camera?s internal memory. What is more, one can store digital files of the pictures. And unlike films, which may easily be destroyed, digital files are not as easily lost when stored properly.

Effects

Digital technology in cameras allow for the use of several techniques in photography that one will not be able to do if one is using a standard camera with film. One can shoot in black and white and sepia with just a click of the mode buttons. There is no need to develop them in the dark room in a special way. Digital cameras also allow photographers to shoot in macro settings, something that ordinary cameras would not have done.

No more developing

With digital cameras, you don?t have to develop the pictures anymore or use a dark room. You can actually print the pictures at your own home with the use of a colored printer. No need to go to the developing center.

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Marianne Faithfull in “Irina Palm.” UPDATE: I have corrected the title of the documentary “Poisoned by Polonium: The Litvinenko File,” which I butchered on first publication.] Spring has sprung full bloom for indie releases, and many small more on this article

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DISADVANTAGES OF BECOMING A DIGITAL PHOTOGRAPHER

If you have been a ‘film photographer’, the first and biggest disadvantage is the cost of new cameras, at least. If you are already computer literate, and have a good computer with some kind of imaging software, good. But if not…well, I sorry for you, eh! Add all that expense, too. And if you’ve been a medium format photographer as I was, you’re not only going to need new cameras, but new lenses, too! With computers and imaging software, even without printers, you have a large investment to look at.

On the up side of that startup expense is all the money you’re now going to save by not having to buy film and pay for processing and proofs.

There is the time element that comes with a “digital workflow”. You, or someone is going to have to upload your images to your computer to edit. Then color correct, retouch, and anything else you want done to your images. And especially at first, it is quite time consuming as you follow your learning curve.

In my humble opinion, these are the only aspects of digital photography that can be called disadvantages. And then there’s the argument that “Digital has taken away business from professional photographers”.

The argument goes that it is now so easy to take your own photographs, for whatever purpose and at such low cost, that companies are taking their own photographs for their advertising needs, and people are taking their own, or their friends family photos. And that this is taking business away from professionals.

There really can be no argument against the truth of this statement. It is easy to take pictures. And, really, it always has been since the invention of the “instamatic camera”! Anybody can aim and push the shutter release button. And that will make a picture. It’s been that easy with film cameras since the 1960s. So, what’s the difference now?

I don’t know this for certain, but I bet that when automatic film cameras first came out, there was a small dip in business for a variety of pro photographers. Why? Because it was so easy now for anybody to take a picture! And I’m equally sure that some people who got a camera actually got good at making photographs.

In reality, though, if you want professional quality photography, you need to have the photography done professionally! There’s a lot more to it than point and shoot. And I believe that eventually the novelty of ‘easy’ digital photography will wear off, and the more educated and critical people will take their photography jobs to professionals.

About the author: Stan P. Cox II runs a Portrait and Commercial photography studio in Honolulu, Hawaii, and has been a professional Hawaii photographer for 31 years. This article may be freely distributed if this resource box stays attached.

About the Author

About the author: Stan P. Cox II runs a Portrait and Commercial photography studio in Honolulu, Hawaii, and has been a professional Hawaii photographer for 31 years. His web address is: http://www.ParamountPhotography.com. –

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With the acceptable image quality and the other advantages of digital photography the majority of professional news photographers have begun capturing their images with digital cameras. Digital photography has also been adopted by many amateur snapshot photographers, who take advantage of the convenience of the form when sending images by email, placing them on the World Wide Web, or displaying them in digital picture frames.

Also, one big advantage of digital photography is the instant review of pictures, with no wait for the film to be developed: if there’s a problem with a picture, the photographer can immediately correct the problem and take another picture (up to hundreds of photographs on the same media device). Digital cameras have also been integrated into many cell phones. The photographer is able to color-balance and manipulate the image in ways that traditional darkroom science cannot offer, although film users can utilize the same technology with a film scanner. But digital cameras also tend to be much more sensitive to moisture and extreme cold. For this reason, photographers who work in remote areas, such as those who work for National Geographic overwhelmingly favor film SLR cameras. Many digital cameras can deliver only JPEG files.

Another format that may be encountered is RAW, which contain unprocessed image data straight from the camera’s image sensor. Compact digital cameras usually include zoom lens and flashes that cannot be changed, but digital single-lens reflex camera (digital SLR or DSLR), operates on the same optical and mechanical principles as a film single-lens reflex camera, and offers the possibility to change lenses. Recent manufacturers such as Nikon and Canon have promoted the adoption of digital Single-lens reflex cameras (dSLRs) by photojournalists. Lenses in digital photography can be Telephoto lenses, Wide-angle lenss or Normal lenss, used for landscapes, portraits and close-ups (macros). Digital anti-shake tools (also called Image Stabilisation) allow taking sharp hand-held pictures where previously a tripod was required. Digital SRLs work also with RAW images containing unprocessed image data straight from the camera?s image sensor. Since the data isn?t processed on the camera the photographer will do so on the computer in order to get it into more usable formats like TIFF or JPEG. This method offers flexibility of the results regarding exposure, lighting, white balance, contrast, colours and saturation as well as greater creative control of the image.

From Canon, good compact cameras the Powershot A series, such as A520, A620, A700 and others, main difference between them being their megapixel image resolution and optical zoom. Canon PowerShot S3 IS is a type of camera that moves a step forward from compact to dSLR. As for the SLR?s and dSRLs, Canon comes with the Rebels: Digital Rebel XT, Canon EOS 200D, and Canon EOS 30D. Nikon is considered to be as good as Canon but sometimes cheaper: Nikon D40, Nikon D200, and Nikon D70. Other notable cameras are Olympus E-330, Fuji FinePix S9100, FujiFilm Finepix E900, Sony Cybershot DSC-W100, HP Photosmart R967 and many many others. Choosing a digital camera can be very difficult and the techniques are in constant progress so that these cameras get better and better, more and more powerful but still smaller, therefore some of them received the name ?pocket camera?.

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A photography site depicting landscape, …
Source: www.photoupdates.com

I wonder how many of you go through books to know more about photography. It’s strange that a lot of us tend to believe that all information can be found only on the web world. If digital photography is your subject then make sure that you seek the help of a book. You can literally browse more information in a 300-page book than on a few web pages. Whether you wish to master the art of Photoshop, color management or just how best to use your camera, a right book at the right time is what you need.

All that is needed is a book that answers the exact questions you have in mind about digital photography. There is no dearth of digital photography books out there, which guarantees you the book you are actually looking for. You can either go in for the books that cater a detailed outline of the field or the more specialized ones.

But keep in mind that the best digital photography books can be puzzling with their array of titles. ‘Digital night photography’, ‘digital infra-red photography’, ‘digital black and white photography’, ‘digital photography lighting’, ‘digital portrait photography’ and even ’setting up digital cameras’ are some of the specialized topics that you may come across.

If you are on the verge of buying a digital camera or willing to upgrade to a better model, you can invariably find a book that can be your best guide. How about the best digital photography books that can help an amateur to get a first-rate grip of the subject? Some of these books also put in plain words the technical aspects of digital photography. You can learn every bit from how the image is captured on the sensor to printing and not to mention presenting the final image.

Interestingly, some of the books may also come with CDs that help you complete the tutorials in the book together with scores of full-color images from the book. And if that doesn’t quench your thirst then you might as well avail the book that offers a comprehensive course to cultivate your photographic skills.

There is hardly anything that you cannot find in a digital photography book. Be it how to give your prints an edge, shooting at night, buying photo printers, controlling digital camera image noise etc. all can be learnt from these books.

A professional photographer who is making the change from traditional to digital photography can use the digital photography book to his best advantage. These books provide answers to photographers as a whole in this digital world of today.

As they say you need to begin with one small step to reach the thousandth step? If that’s the case then digital photography book must be your first small step towards being the next Steve McCurry.

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It’s been raining this week and, as a native Phoenician, I’m ready for it to be over. I can’t help it, I’m addicted to the sun. So it’s no wonder I’m already thinking about Friday. It’s the first day this week that the forecast icon has that beloved read more

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ENHANCE YOUR LANDSCAPE PHOTOS

If you see a landscape photograph taken by a professional photographer, you will usually notice that the sky is quite dramatic. This is an effect that’s easy to reproduce in a digital image.

Software: Adobe Photoshop Elements 3.0. Time: 10 minutes. Suitable for: any landscape photo with a band of uninterrupted sky.

Open the image. Click Enhance>Auto Levels. This removes the dullness from the photo. Now click Enhance>Adjust Colour>Hue & Saturation and move the Saturation slider up to +15, to brighten the colour slightly, if required (this will depend upon your original photo).

CREATE AN ADJUSTMENT LAYER

First make sure that the Layers palette is visible on screen. If it isn’t, click Window>Layers. Now click on the circular Create an Adjustment Layer button in the Layers palette. Click Levels. The Levels dialogue box will open, showing Input and Output levels. It’s the Input Levels that you’ll be adjusting in this case. If you look at the sliders under the Input Levels histogram, you’ll see there are three sliders, the one on the left adjusts the dark areas of the image, the one in the middle the midtones, and the one on the right the bright areas. Move the middle slider to the right until the sky is considerably darker (ignore what the change does to the rest of the photo). Click OK.

Adjust the image so that only the sky is darker Click on the Gradient Tool in the toolbox on the left of the screen. In the Tool Settings bar near the top of the screen, an example of the gradient will appear. It should be graduated from white to black. If it isn’t, click on the tiny drop-down arrow next to the example and choose the gradient in the top left-hand corner. If you look at the Levels adjustment layer that you created in the layers palette, you will see a Layer Mask (the all-white rectangle). Click on the Layer Mask, then put your mouse back over the picture. Click at the very top of the picture, hold down the mouse button and drag vertically from the top to the bottom of the sky. The Layer Mask should now be black with a small white area at the top. This will reveal the darkened sky, but the rest of the photo will now be unaffected by the change in Levels. If you’re not entirely happy with the result, you can double click on the Layer Thumbnail in the adjustment layer and readjust the sliders until you achieve the desired effect.

About the Author

Jan uses Adobe Photoshop and Corel Painter for image editing and digital, see Jan’s portraits website for more details.. She has been running popular digital photography training courses for four years. See Jan’s digital photography website. –

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With the advent of digital cameras, the cost of photography has plummeted considerably, with the result that there has been a surge of interest in the field. Greenhorns in this area however, need not fret. Sharpening up on your digital photography skills is easy, provided you have the basics at the tip of your tongues, or is it, at the tip of your lenses!

Mastering the basics of digital photography, first and foremost involves knowing all about pixels and resolutions. These are the parameters that have a direct bearing, and quite a lion’s share on the quality of the images being generated. The more the pixel count, the better the resolution or clarity of the picture and the better it turns out when enlarged. So it is obvious that the fastidious photographers prefer robust pixel values. However, with the market flooded with digital cameras of various makes, you can hope for a good bargain. Let us discuss a few basics of digital photography.

Zoom And Tele Lenses

Going digital has also meant that you can click away merrily at anything and everything under the sun. This will only help you get well up on the nitty-gritty of the zoom modes. The Optical Zoom of a camera is worth tinkering with. The “Telephoto” mode makes your subject appear larger while the “Wide Angle” mode is all about cramming a lot of a scene into your picture and hence the elements of the picture appear smaller.

Focusing

Toying with the controls of your digital camera is a good way of getting a hang about the different picture modes and hence be able to put them to good use. For instance, instead of relying on the instruction manual, see for yourself that the Portrait Mode actually sharpens your subject and de-focuses the background. For those who are not yet comfortable with the exposure, focus and flash parameters can take the help of the Auto Mode in the awkward initial stages.

Lighting

There is no such thing as a photography gene. Good photographers weave magic with their cameras, but this magic is all about getting the lighting and flash issues straightened in their photographs. Shooting in the early morning light is advisable if you want to avoid the harsh glare of the midday sun and in case of night photography, filming during the twilight hours or just as the moon is rising gives you the best results. You should not shoot with the sun directly in front of the lens.

Using the Flash

The flash is quite a lure for the novice photographer but results are not always satisfactory. This is because improper use of the flash function leads to the marring of good photos. In fact, the flash really leads to underexposure, and thus ungainly shadows in night photography. While you are using this feature, inch closer to your subject and thus make sure that all the areas of the picture are equally lighted up.

Shutter Speed

The shutter speed is one area that many newcomers to digital photography is quite oblivious to. But you will be amazed at the dramatic results that mere varying the speeds can bring about. The rule of thumb: fast shutter speeds “freeze” the action, while slow values will result in a blur. Slow shutter speed also let more light enter into the camera, so this is an option worth considering when you need to shoot in low light conditions.

The basics of digital photography are not hard to master. And being well versed in them will help you capture reality in all its essence.

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Yes, I’m obsessive-compulsive when it comes to finding and shooting framed compositions. I discovered this one last week while roaming around Plant Hall in infrared mode. I almost didn’t post anything here today, my hands are pretty cramped after creating seventy-five pages of new shopping cart code for the latest event photo gallery. I don’t think this brave new world of digital photography is necessarily easier than film, its more a matter of a different set of skills and challenges. Some days I feel like all I’ve done is traded chemistry for carpal tunnel.
Source: www.jrsphotos.com

04-28-06: The Shot, The Shooter
Taken with a 17mm full-frame fisheye stopped all the way down. What I didn’t realize at the time is that while I was composing this I became the subject of a shot myself…At home in my natural element. Kathy Porupski, one of my first students and possibly the busiest person I know, occasionally finds time to rip herself away from her hectic schedule and accompany me on a shoot. Children’s dance competitions are her bread-and-butter photography work but just like me she loves to escape to the wild places and shoot just for herself. This is an effective use of leading lines and of course I like her choice of subject matter. Kathy has a new website where she currently displays her dance photos for parents to buy and will soon be displaying some of her nature and fine art photos. Since I did the original design work for the site I’m more than happy to give it a blatant plug here.
Source: www.jrsphotos.com